An ecocritical reading, slightly queer, of As for Me and My House

This essay argues that As for Me and My House is very much in need of ecocritical approaches that resist the kinds of cultural marginalization that have long been a part of the Canadian experience. The essay offers a fresh approach to Ross's extensively analyzed novel, beginning with comments about the under-representedness of Canadian regional literature in the burgeoning field of ecocriticism (a field itself robustly American) and then developing a case that the distinctively Canadian context and traditions to which this slightly queer novel responds require a criticism that both differs from the American nature-celebration mode often associated with ecocriticism and addresses the novel's complex representations of social responses to sexuality and to the natural environment. Such an approach reveals that the unpredictability of the land on the one hand and the compulsions of Philip on the other share a kind of theoretical alliance; an ecocritical approach allows us to hear the silenced voices of the land and of Philip, while affirming the importance of continued readings of this very central morsel of Canadian literature.